Yamaha LS-TA TransAcoustic (Vintage Natural)

Yamaha LS-TA TransAcoustic
Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
  • Yamaha LS-TA TransAcoustic
Retail Price:


Playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable – far more enjoyable than in a dry-sounding room like a lounge, office or den. With a slightly smaller body size and depth than the LL-TA, Yamaha’s LS TransAcoustic Guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects – just the guitar itself. Whether you’re practicing, writing, recording or just playing for fun, the TransAcoustic Guitar will make you play better, longer and with more creativity. Once you’ve experienced it, you may never want to play another acoustic guitar again. 
An actuator installed on the inner surface of the guitar back vibrates in response to the vibrations of the strings. The vibrations of the actuator are then conveyed to the body of the guitar, and to the air in and around the guitar body, generating authentic reverb and chorus sounds from inside the body.
Simple Control
Three simple knobs let you adjust the degree of effect applied and the lineout volume level. Additionally, keeping the controls small minimizes the area of the holes in the body material, reducing acoustic sound loss. (A) Chorus Control (B) Reverb Control (Room/Hall) (C) TA Switch/Line Out Volume Control 
  • Pressing the TA Switch for more than 0.3 seconds activates the TA function
  • When a cable is connected to the line-out jack, the lineout volume can be adjusted by rotating the (C) knob
  • The reverb type switches from Room to Hall around the 12:00 position
New Scalloped Bracing
The body is an all-solid guitar based on the L-Series. A modified non-scalloped bracing design retains the L Series’ characteristic bright tone while enhancing the low end. Treating the tops with Yamaha's exclusive A.R.E. process gives the instrument a rich, vintage quality tone, making it sound as though you'd been playing it for years, from the very first moment you pick it up. The fact that this guitar has been designed with an insistence on sound quality is what allows it to produce effected sounds that feels pure and natural.
High Comfortable Playability
Straighter neck taper and hand-rolled fingerboard edges result in an instrument that can be played for hours without any stress. The 5-ply neck design featured in all TransAcoustic Guitars is constructed of rosewood and mahogany plies with a double-action adjustable rod, creating a strong, stable neck that resists warping.
Newly Designed Battery Box
Battery box integrated into the end-pin jack. This requires fewer holes in the body, thus reducing acoustic sound loss. Connect the cable from the jack to a PA or amp to use as an acoustic electric guitar.


Heid Music is proud to be your resource for Yamaha Acoustic & Classical Guitars in Appleton, Green Bay, Madison, Oshkosh, Wisconsin Rapids, & online at heidmusic.com.

Body type:JumboConcert
Top wood:SolidEngelmann Spruce A.R.E.
Back & sides:SolidRosewood
Bracing pattern:Info not available
Body finish:Vintage
Orientation:Right handed
Neck shape:Info not available
Nut width:1.75 in. (44.45 mm)
Neck wood:Mahogany, plus Rosewood 5-ply
Scale length:25.6 in.
Number of frets: 21
Neck finish:Matte
Configuration:Undersaddle piezo
Preamp EQ:2-band
Feedback filter:No
Headstock overlay:Ebony
Tuning machines:Die-castChrome (TM29G)
Saddle & nut:Urea
Number of strings:6-string
Special features:Pickup System
Case:Hardshell case
Accessories: Hex Wrenches, 2xAA batteries
Country of origin:China
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